Creativity - the process of intimate, almost like sex. All we want to fulfill (and those who deny this undeniable fact, just a little disingenuous), but to do so, to be heard and considered in our opinion. For the most part, any creative work is egocentric, but sometimes its further development depends on the others. Today I would like to talk about the special person - TAKESHI KITANO. Having proved himself throughout a career as a religious character, he at one stroke cut off himself from a large layer of admirers of his talent, taking off his unusual for all the canons of the trilogy full of creative rebirth of the artist. The spectators were divided into two categories - those who have turned away from the already former idol, and those who have tried to understand what did the Japanese maestro. One shot Takeshi destroys the illusion of free development, even using the experience of previous generations. Piles of books with names of famous artists remind the French video library, which was collected almost all the meaningful cinematic experience. From there, once jumped Frenchman Leo Carax, without completing any film schools, but just watching the paintings of past masters. Or you can remember Carlos Reygadas, who when entering cinematic university said that with such baggage accumulated by the Mexican director, and teach it's nothing. " The talent should not study, and here to the rest would not prevent" - this is the verdict of the director of his heroes. China will not accept other people's successful experience, as if to say that this is only exception that confirms the general rule. A Mathis will have to go all the degrees of alienation, to finally come to realize that there is art in general and what role the artist ugotovila fate. Kitano Oriental tough and pragmatic, with a cold interest of natural scientists immersing his hero in various life trouble. Creative Mathis fate - the fate of the ideal loser from the art world. Or people who do not believe in our strength and does not know the price of his talent? And what do have talent? Mathis throughout their career break all and sundry. Everyone tries to specify the correct path of development. Artist gradually more and more loses himself, in obedience to forces from outside. Now he is meaningless imitator, without any distinguishing features. And even in imitation is not who achieved heights. Kitano very brief - no one can take away the laurels from past masters, their influence is huge, but it should be less and less effect on the young. Author's cinema - the reflection of the soul producer. We must leave behind the experience of Antonioni, Fellini and Fassbinder, while paying tribute to their talent, and move on. See the world with their eyes, to capture on film their experiences and throwing.
Kitano sees the world of cinema in a constant struggle, throwing a few frames in the face of the viewer killer facts. And again to explain Aesopian language, alluding to the general popcorn-thrust modern audience and die-hard of some people working in the movie business. But it is precisely these are the brutal laws. Would we have a great "Citizen Kane" Orson Welles, or at least significant "Brazil" by Terry Gilliam, if there was no censorship? It is unlikely, as the directors had the strength in the unequal struggle to resist the bureaucratic machine and to defend the right of final cut of his paintings. Mathis resist, even if not consciously. His life took away the true essence, and now it breaks down on paper a kind of ways. The artist was lucky in one, most of his creative life with him was a faithful companion and friend. His wife. It is as faithful Jenny, or as the muse Gala for Salvador Dali. As Hannah Shigula for Fassbinder or Monica Vitti for Antonioni. That is a man fully shares the views maestro and help implement his plan, ready to fully support their other half in a fierce creative depression or in pairs deadly cocaine. The road is full of suffering and loss of expensive people. But the artist, a true artist, unsinkable and resilient. He goes forward to the result that he wanted, ignoring the rest. And perhaps then, over time, his pictures will be invaluable, as it happens. Maybe then there will be judges now misunderstood talent.
Now Kitano takes off the mask that he wore a very long time. Before us there is a sad clown, under is beautiful-sad music destroying occurring opinion on and the creativity.